Dolce & Gabbana – Spring 2012’s Ad Campaigns


Models: Francesco Scianna, Filippo Nigro, Primo Reggiani, Beppe Fiorello, Thomas Trabacchi, and Chiara Francini
Photographer: Mariano Vivanco


Models: Monica Bellucci and Bianca Balti
Photographer: Giampaolo Sgura


Dolce & Gabbana
Models: Monica Bellucci and Bianca Balti
Photographer: Giampaolo Sgura

Balenciaga spring summer 2012 campaign

Model: Laura Kampman
Photographer: Steven Meisel

Emporio Armani spring summer 2012 campaign

Emporio Armani
Models: Wang Xiao, Tao Okamoto, and Kendra Spears

Photographer: Alasdair McLellan

Maybelline new make-up campaign


Chloë Sevigny Dressed Like Terry Richardson

‘Alexander The Great’ by Steven Meisel for Vogue US May 2011

Alexander the Great – Celebrating the work of the late Alexander McQueen, the May edition of Vogue US profiles looks from “Savage Beauty”, a retrospective opening at the Costume Institute on May 4th. Captured by Steven Meisel and styled by Grace Coddington, Coco Rocha, Karen Elson, Caroline Trentini and Raquel Zimmerman don McQueen’s creations with timeless elegance. 



“The collection was based on Handel’s ‘Sarabande’ in the film Barry Lyndon. It was held in the round at the Cirque d’Hiver Bouglione in Paris, with classical musicians playing onstage under a giant chandelier. This dress had fresh flowers on it. We put them on just before she went out, and they started to fall off one by one as she walked. I remember people saying Lee timed it. We had a laugh about that. It was an accident!”
On model Caroline Trentini: silk dress embroidered with silk and fresh roses, hydrangeas, and peonies.


“The collection was about the 1745 massacre of the Scottish Jacobites by the English, which Lee felt so passionately about because of his Scottish family heritage, which his mother had researched. The women were the widows of the slaughtered army. This dress was actually based on my wedding dress—I got married two years earlier. We had to figure out how to make lace work in the round with those ruffles because Lee hated gathering. So we cut out all of the flowers from the lace and reappliquéd it on tulle to make our own fabric. This is the collection most people remember as the one with Kate Moss in a hologram. Oh, my God, it was so beautiful. He loved that show.”
On model Karen Elson: silk-lace ruffled dress with lace veil and Perspex antlers. Philip Treacy headpieces throughout.


“All the girls were dressed as chess pieces, and the show was choreographed as a chess game. It was about the chessboard of fashion. Lee did have foresight and a sense of humor! This is one of the two horse pieces. He made it by commissioning Steve Powell, a hospital prosthetics expert, to make the body. And the horsetails were from the same suppliers who make the plumes for the queen’s Royal Horse Guards.” 

On model Raquel Zimmermann: molded leather dress with horsehair skirt. 


“This is a straitjacket, a kimono with the sleeves strapped around the back, embroidered with raised birds and flowers, and the flowers on the hat were real. I saved all the showpieces from every collection because I’m an obsessive, obsessive hoarder. Sometimes Lee would look at them again, just to remember what he’d done with something. It was his dictionary he was building, really.”
On model Coco Rocha: silk-embroidered wool jacket and cigarette pants.


“So much of this show was about the collective madness of the world. It was presented in a two-way mirrored glass box in London, and the girls had bandaged heads, acting like inmates of a mental asylum. Lee wanted the top of this dress to be made from surgical slides used for hospital specimens, which we found in a medical-supply shop on Wigmore Street. Then we hand-painted them red, drilled holes in each one, and sewed them on so they looked like paillettes. We hand-painted white ostrich feathers and dip-dyed each one to layer in the skirt.”
On model Stella Tennant: red-and-black ostrich-feather dress.


“This was from the amazing show in London where Shalom Harlow stood on a turntable and was spray-painted by robots. This particular look was made from wood to form the shape of a fan: It was all about the craftsmanship. The wooden wings were in this show, too, and the prosthetic legs he had carved for Aimee Mullins, who walked in the show. That was so moving. There were so many ideas in there. Each of his shows was like ten of anyone else’s.”
On model Karlie Kloss: leather halter top and wood fan skirt

Photos by Steve Maisel
Models: Karlie Kloss, Stella Tennant, Coco Rocha, Raquel Zimmermann, Caroline Trentini, Karen Elson
Fashion Editor: Grace Coddington.

Copied from Vogue:

Prada Spring 2011 Campaign

Prada’s spring 2011 campaign
models Mariacarla Boscono, Arizona Muse, Tati Cotliar, Kinga Rajzak and Zuzanna Bijoch
Lensed by Steven Meisel

Proenza Schouler Spring Summer 2011 Ad Campaign

Proenza Schouler Spring Summer 2011 ad campaign.
Models: Melissa Tammerijn & Julia Nobis
Photos by Willy Vanderperre.

What’s White Now, Harper’s Bazaar US February 2011

What’s White Now
Harper’s Bazaar US February 2011
Shot by: Greg Kadel
Models: Bambi Northwood-Blyth, Melissa Tammerjin, and Theres Alexandersson

“Where Troubles Melt Like Lemon Drops” photographed by Tim Walker for Vogue India November 2010.

Where Troubles Melt Like Lemon Drops  Vogue India November 2010.

Model Karlie Kloss
Photographed by Tim Walker
Styled by Jacob K